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On April 27, Memorial Hall hosted a NC Science Festival event titled “An Evening with Neil deGrasse Tyson.” Tickets to the show, which ranged from $18 to $125, were sold out. In this Q&A, Tyson, a renowned astrophysicist who regularly appears on the The Daily Show and Colbert Report, talked with The Daily Tar Heel and Reesenews about promoting an innovating culture and his recent appearance on The Daily Show.

Paula Seligson, The Daily Tar Heel: Do you think encouraging innovation at the university level is sufficient, or is it something that should start earlier on in a person’s education?

Neil deGrasse Tyson: If you go back to the 1960s there was the World’s Fair in New York City, 1964, and that was all about tomorrow. It’s easy to think to yourself that it was things like the World’s Fair that created the attitude that we should dream about tomorrow. However, I think it’s the opposite of that. I think it was the decade of discovery, because we were headed to the moon, that created the culture out of which the World’s Fair arose.

So for you to ask what should we do to promote innovation implies that innovation is something that we need to convince people that it is a good thing to do, with some kind of program or possibly even arm-twisting. And I claim, if the government as we did in the 1960s… takes on a huge mission statement… then great discoveries will be writ large on the daily papers and people will see what that is and what it means and the kinds of professions that drive it. And they will feel compelled from within to want to innovate, to want to study in the STEM fields, science, technology, engineering and math.

That’s the climate that I look forward to creating. Not that I can create it, but it takes a nation to do that.


Kelsey Tsipis, Reesenews: I was wondering if you had any advice or what you think the media can do to make science topics more engaging for viewers?

Tyson: If we are going into space in a big way, discoveries will write their own headlines … 85 percent of the time (I’m interviewed on TV by the media), it’s because the universe flinched and they came to me for a soundbite. It’s not because I force anybody to try to have to care. They actually do care.

I used to think I was biased that the universe was a cool place. I’m not biased, it actually is cool. And if you just show that to people, they will realize how cool it is themselves. And in fact, the future I long for is not one where everybody is a scientist or an engineer. That would be a boring future. I want the artists, the journalists. I want the comedians, the actors, the lawyers. I want everybody who fleshes out society. But in an innovation culture, those other professions, not directly derived from the STEM fields, they then embrace those discoveries … That would be a space faring culture.


Seligson: What should we do now to get to the point that we’re at a space faring culture?

Tyson: Right now NASA comes to Congress every year with a hat in hand, waiting for the handout. You know, it’s like the breadline, here’s your ration. And I’m thinking, “Excuse me, this is NASA here you’re talking about.” And NASA, embodied within this agency, are the space faring dreams of a nation. So what needs to happen is our future in space has to be a fundamental part of what the electorate cares about and when that happens it is no longer a handout in the budget cycle. It is no longer a function of the political whims of one candidate or another because we the people have compelled our elected officials to do this.


Tsipis: Can you elaborate on what the social and cultural implications of billionaires starting asteroid drilling?

Tyson: I think that’s cool. That’s a headline that should have been around 20 years ago, as an extension of the fact that we’d gone into space and visited the moon.

If you look at Columbus, he was a discoverer of course, but the people who wrote the checks were not discoverers. Queen Isabella, she didn’t say, “Oh, uh, Chris, when you come back just tell us the things you saw and draw pictures of the plants and flowers that you noticed and report that to the academic halls of our land.” No, she said, “Here’s a satchel of Spanish flags, plant them at any land you hit and, by the way, find a shorter trade route to the far East.”

There were whole other priorities that were going on there that actually had nothing or very little to do with exploration. And I’ve come to accept that. I don’t like it, but I recognize that what drives major expenditures of nations is the help and the survival of that nation. We shouldn’t sweep that fact under the rug, this is just a conduct of states in the interest of their own survival.


Listen to the interview:

Watch Dr. Tyson on The Daily Show the day before he came to UNC:

The Daily Show with Jon Stewart Mon – Thurs 11p / 10c
Space Innovators
www.thedailyshow.com
Daily Show Full Episodes Political Humor & Satire Blog The Daily Show on Facebook

See what people were tweeting about:

If you didn’t receive a ticket to the filming of “Late Night with Jimmy Fallon” at UNC’s Memorial Hall on April 24, you can still watch the episode online.

Recap: Obama calls on students to act for low interest rates

The show featured President Obama, musical guest Dave Matthews and house band The Roots.

The episode is available on Hulu, and you can visit the Jimmy Fallon Hulu page for all the clips from the episode.

Here’s the full episode:

Here’s Dave Matthews singing “Mercy”:

Here’s the clip where Obama and Fallon slow-jam the news:

Here’s the clip of Fallon and Matthews singing “Walk of Shame”:

Related links:

Obamas are experienced in late night talk

Obama to speak at UNC on student loan interest rates

Tickets for Obama policy speech, Fallon show distributed 

Sweden’s Göteborg Ballet, a modern dance company consisting of about 40 trained dancers from over 15 different countries, will be performing at UNC in Memorial Hall at 7:30 p.m. on Tuesday, April 17, 2012.

According to Göteborg Opera’s website, the Göteborg Ballet is the largest modern company of all of the Nordic countries. The company has become internationally known in the last few years, due to the involvement by many world-renowned choreographers. The Boston Globe has called the ballet “simply fabulous.” Adolphe Binder is the new ballet director for the company. She formerly worked as administrative and artistic director for the Berlin Ballet and was program director for various dance festivals in Hanover.

This will be the last performance by the Göteborg Ballet during their United States tour, and the last time they will be in the United States for the rest of 2012.

Tickets are limited. Tickets for the general public range from $19-$49, depending on the section. Faculty/staff tickets are slightly cheaper, depending on the section. For students, individual tickets cost $10 each. They can be purchased online through Carolina Performing Arts, by calling (919) 843-3333 or by visiting the Memorial Hall Box Office on Cameron Avenue. (Map below)

There will also be a discussion prior to the performance about contemporary dance. This will take place at 6:30 p.m. at the Historic Playmakers Theatre and will include ballet specialist Laurie Yeames and staff members of the Carolina Performing Arts, Reed Colver and Tiffany Dysart. This event is open to all.

*Please follow Goteborg Ballet @UNC on Twitter for information/updates about the event.

Unable to make the ballet? No problem. Come back to Reesenews.org on Wednesday, April 18, 2012, for a detailed recap of the performance. A link will be made available via Goteborg Ballet @UNC on Twitter.

Map of Memorial Hall:

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Click here for a visitor parking map.

The UNC Clef Hangers will present a spring concert April 21 at 8:00 p.m. in Memorial Hall. The concert will serve as a farewell to the Clef Hangers’ senior-class members, as the performance will be the last of the school year.

The Clefs are Carolina’s oldest a cappella group, formed in 1977 by UNC student Barry Saunders and originally called the Morrison Dorm Singers. The Clef Hangers adopted their current name in 1978 in addition to their signature vests and bow ties. Since then, the Clefs have had the opportunity to take their talents around the world, performing in Spain, France, Scotland, Jamaica, Greece and Italy. Over the years, the Clefs have released 16 professionally produced studio albums.

The Clef Hangers are, in many ways, similar to a fraternity. Many of the close-knit members live in a house together, and the group often travels abroad over spring break for international performances.

Senior soloist Cole Hammack says that he will really miss being a Clef after he graduates. “My favorite part of being a Clef is the brotherhood of the group,” he said in a recent phone interview. “You’re with these guys all the time and singing is a very vulnerable thing to do, so you grow close to people you otherwise would have never known very quickly.”

The Clef Hangers cover popular songs, adapting them to a cappella versions entirely their own. This year’s repertoire has included popular Coldplay songs “Yellow” and “Paradise,” a cover of the Old Crow Medicine Show song “Wagon Wheel,” a rap cover of the David Guetta and Nicki Minaj song “Where Them Girls At,” and the always classic “Carolina In My Mind” by James Taylor, among others. Watch the Clefs sing “Wagon Wheel” here.

The Clef’s albums are available for purchase online. You can also like them on Facebook or follow them on Twitter. Their recent tweets are about the upcoming spring concert:

Tickets for the 2012 spring concert are available through the Memorial Hall box office.

Joshua Redman (on saxophone) and Brad Mehldau (on piano) are teaming up on April 10 for a jazz performance in Memorial Hall.

Time magazine compares Brad Mehldau‘s 2000 album, Places, to an unattainable, ideal vacation spot, and regards his talent most respectfully.

He can be emotional (as on Airport Sadness), but he is never weepy. He can be jaunty (West Hartford), but he never descends into trifling silliness. And while his work tends to be courageously complex (the dizzyingly cerebral Amsterdam), he never gets lost in the labyrinth of his intellect.

A video of the two performing Lithium in 2010:

[youtube]http://www.youtube.com/watch?v=WGRoRzXrikI[/youtube]

Tickets can be bought at the Memorial Hall box office or online at the Memorial Hall website. Student tickets are $10, and tickets range from $20-$60 for others. The show begins at 7:30 p.m.

Pianist Stephen Anderson and saxophonist Dave Finucane are co-hosting a pre-show discussion at 6:30 pm in Gerrard Hall.

The opera performance “Whispering Pines,” will take place in Memorial Hall March 27 and 28 at 7:30 p.m.

New York video/performance artist Shana Moulton appears in “Whispering Pines” as the speechless main character, Cynthia, who searches for meaning in a world where God has faded from importance.

The performance integrates a three-channel video system and live performance into an opera show. TBA ’11 Review referred to it as “kitschy, trippy, and, at times, laugh-out-loud funny [and] genuinely heartbreaking.”

[youtube]http://www.youtube.com/watch?v=zkA_g3MBf30[/youtube]

Tickets are $10 for students and $20 for general admission and can be purchased on the Memorial Hall website or at the box office.

For the first time ever, four on-campus dance companies will team up to perform in Memorial Hall for an entire weekend.

Carolina Style Dance Company, Carolina Vibe, Star Heels and the UNC Dance Team will each stage their spring performances in recitals over the weekend of March 30. The collaboration was organized by Carolina Dance Initiative.

“Memorial Hall is the Radio City of Chapel Hill,” said Sarah Stutts, president of Carolina Vibe. “It offers the best facilities and staff that you can find.”

How the collaboration started

This partnership is more than a year in the making. Last year, Lauren Petersburg, president and co-founder of Carolina Dance Initiative, approached the groups about combining their resources to rent out Memorial Hall for the weekend so that more companies would have the chance to perform there. By April, they had picked a date.

Few dance companies can afford to dance at Memorial Hall because of the cost. Mark Steffen, events manager of Carolina Performing Arts, said that officially recognized student organizations receive a discounted price. Still, it’s difficult for smaller companies to cover the cost.

Carolina Style Dance Company

Carolina Style Dance Company performs. The company will dance in Memorial Hall on Saturday, March 31, 2012. Photo used with permission of Carolina Style.

“It’s hard to find money and places to perform and to do shows because there’s no university dance program here,” said Blair Ellis, business director of Carolina Style. This collaboration will help dancers to cut performance costs in Memorial Hall.

The benefits of Memorial Hall

“It’s the ideal space to dance in,” Petersburg said. The venue is on campus, easily accessible for dancers and guests and has a big stage, big wings and plenty of seating. Dancers will be able to perform on Marley, a type of floor that is rolled on top of the stage and is easier and healthier to dance on than regular surfaces.

“With the exception of some of the athletic buildings, Memorial Hall has more audience seating than any other venue on campus,” Steffen said. “It’s also pretty cool to dance of the same stage as the Bolshoi Ballet, the Alvin Ailey American Dance Theater and many other world class performers.”

Morgan Thompson, president of Star Heels, said that the large stage has “opened up opportunities for girls to dance in more dances.” Other venues, such as the Great Hall, have small stages that can force companies to make last-minute changes in the number or position of dancers.

Performance schedule for the weekend of March 30

  • Friday, March 30, 2012, at 8 p.m.: UNC Dance Team
  • Saturday, March 31, 2012, at 2 p.m.: Star Heels
  • Saturday, March 31, 2012, at 8 p.m.: Carolina Style Dance Company
  • Sunday, April 1, 2012, at 1:30 p.m.: Carolina Vibe

“I think that this is an incredible opportunity for Vibe, seeing that performing at Memorial Hall has always seemed like a mere fantasy rather than reality,” Stutts said.

In the spotlight

Petersburg said this collaboration encapsulates Carolina Dance Initiative’s mission to “network between and advocate for dancers on campus.

“The dance talent here on campus is phenomenal and overlooked sometimes because we don’t have an official program.”

Of the four companies performing, only Carolina Style has previously performed in Memorial Hall. The rest have danced in the Great Hall or at high school auditoriums. The UNC Dance Team could not perform at all last spring because no venues were available.

This is the first time since its renovation in 2005 that Memorial Hall has hosted a multi-night collaboration of student organizations putting on related performances on consecutive dates in any medium,” Steffen said.

Overcoming challenges

The weekend’s performances will cost $11,000 to stage. Usually, individual performances by student groups cost between $2,000 and $3,500.

Carolina Dance Initiative is waiting to hear if its student government funding request will be approved. The remaining cost will be split among the companies and covered by fundraisers, benefit nights and ticket sales.

Despite the cost, “Dancing on the Memorial Hall stage will be well worth the effort,” Stutts said.

Besides funding, the other challenge is coordinating rehearsals and performances in Memorial Hall. The companies will have to sacrifice rehearsal time at Memorial Hall, but Thompson said it is worth it to be able to perform there.

Stephanie Woolwine, co-captain of the UNC Dance Team, said of the event, “I would love for it to become an annual thing because it would save us a lot of trouble and uncertainty.”

This article was reported for the J253 Reporting class at UNC’s School of Journalism and Mass Communication.

On March 20 and 21, Australian performers will be in Memorial Hall at 7:30 p.m. executing a wild combination of dance, circus and drama in a performance called CIRCA.

Expert gymnastic dance and acting techniques are all displayed in CIRCA. According to The Guardian, the CIRCA performance is “knee-tremblingly sexy, beautiful and moving.”

Tickets are $10 for students and range from $10 to $50 for others.

Audience members may stay after the March 20 show to talk freely with the performers.

Described by The New York Times as “the most accomplished pianist of the new generation,” Norwegian pianist Leif Ove Andsnes returns to UNC’s Memorial Hall Friday Feb. 17 at 8:00 p.m.

Leif Ove Andsnes is the recipient of four Gramophone Awards and seven Grammy nominations. He returns to Memorial Hall following his 2009 performance of Pictures Reframed, created in collaboration with South African artist Robin Rhode.

Tickets for the show are on limited availability. Student tickets are $10. Tickets open to the public range from $69 to $29. Buy your tickets at Carolina Performing Arts.

Listen to Leif Ove Andsnes play ‘Grieg’ in the WGBH studio

Don’t know much about classical music?

A pre-performance “Classical Conversations” at 7 p.m. in Gerrard Hall can give you some context to Leif Ove Andsnes’s music. Join Chancellor Emeritus Dr. James Moeser for a free conversation featuring the works of Chopin, Debussy, Bartók and Haydn. Dr. Moeser will introduce you to the meaning behind many of these iconic works by the masters of classical music.

On March 6 and 7, James Moeser, the former chancellor of UNC, will present several lectures on Johann Sebastian Bach’s legacy and musical genius.  Carolina Performing Arts and the Friday Center for Continuing Education are partnering to present this lecture series that will be held at the Friday Center from 7 – 9 p.m. on both days.

Moeser has garnered international recognition as a concert organist and teacher, with a specialization in Bach’s sacred music, organ pieces, and theological symbolism.

The series is occurring in conjunction with the arrival of the Amsterdam Baroque Orchestra and Choir with Ton Koopman, performing March 13 and 14 in Memorial Hall. The Amsterdam Baroque Orchestra was founded in 1979 and is heralded as the most-recorded early music ensemble, with past recordings of all 200+ of Bach’s liturgical cantatas. Before both concerts, Moeser will deliver a lecture from 6:30 to 7 p.m. in Gerrard Hall on the repertoire that will be played later that night.

During the March 6 and 7 lectures, Moeser will discuss Bach’s “Mass in B minor”  and “Magnificat in D Major,” two influential pieces that demonstrate Bach’s theological symbolism and musical expressiveness. In addition to discussing Bach, Moeser will remark on the impact of Koopman’s work and life as one of the leading experts on Baroque music.

Tickets are valid for only one of the concert days, March 13 or 14, for seats in Section A of Memorial Hall. Tickets can be purchased at the Memorial Hall Box Office and will be held on Will Call for pick-up on the day of the performance. To attend the lectures on March 6 and 7, register at the Friday Center’s website or call (800) 845-8640 or (919) 962-2643.

Concert tickets are $25 to $64 and $10 for UNC students. They can be purchased at the Carolina Performing Arts website or by calling the box office at (919) 843-3333.